Art print glossary
Plain-language definitions of the printing, edition, paper, framing and conservation terms you’ll see across the catalogue. Written for people buying a print, not industry insiders — short, factual, and UK-friendly.
How the print is made and what the inks and process imply.
Giclée print
Also: Giclée · Inkjet fine-art print · Archival pigment print
A giclée is a fine-art print made on a high-resolution inkjet press, using archival pigment inks on heavyweight cotton or alpha-cellulose paper.
Read more →Archival print
Also: Archival fine-art print · Museum-grade print
An archival print is one made with materials chosen for long-term stability — pigment inks, acid-free paper — and is rated to resist fading for a century or more.
Read more →Bleed
Also: Full bleed · Edge to edge · Borderless
A print where the image extends to the edge of the paper, with no white border. Common in posters and contemporary photographic prints; less common in fine-art editions where a signature margin is needed.
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How fine-art prints are numbered, signed, and proven to be what they claim.
Limited edition
Also: Limited edition print · Numbered edition
A limited edition is a print run with a fixed maximum number of impressions, usually signed and numbered, after which the edition is closed and no more are made.
Read more →Open edition
Also: Open edition print · Print on demand
An open edition is a print with no cap — it can be reprinted on demand for as long as the gallery offers it. Lower priced than a limited edition, with no scarcity claim.
Read more →Certificate of authenticity
Also: COA · Authenticity certificate
A signed document — physical or digital — that records an artwork’s provenance, edition number, and key details, issued by the gallery or artist as a guarantee of authenticity.
Read more →Edition size
The total number of impressions in a print edition. The smaller the edition size, the more scarce — and usually the more expensive — each impression becomes.
Read more →Artist’s proof
Also: A.P. · AP · Épreuve d’artiste · E.A.
A small number of impressions outside the main numbered edition, traditionally kept by the artist. Marked “A.P.” on the lower margin instead of a fraction.
Read more →Signed and numbered
Also: Hand-signed and numbered
A limited-edition convention where the artist signs and numbers each impression in pencil, recording the print’s position in the edition.
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Substrate weight, fibre, surface — the part of the print that determines how it ages.
Deckle edge
Also: Torn edge
The naturally uneven, feathery edge of handmade or mould-made paper, left untrimmed. A visual signal that the paper is fine art rather than industrial cut sheet.
Read more →Cotton rag paper
Also: Cotton paper · Rag paper · 100% cotton
Paper made from 100% cotton fibre rather than wood pulp. Acid-free, dimensionally stable, and the most archival paper substrate available.
Read more →GSM (paper weight)
Also: Grams per square metre · Paper weight
Grams per square metre — the international measure of paper weight. Higher GSM means heavier, thicker, more substantial paper. Fine-art papers are typically 200gsm and above.
Read more →Hahnemühle
Also: Hahnemühle paper · Hahnemühle FineArt
A German fine-art paper manufacturer founded in 1584. Supplies museum-quality archival papers used by galleries and printmakers worldwide.
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Mount, frame, glazing — how a print is housed for display.
Float framing
Also: Float mount · Float frame
A framing style where the print is mounted on top of a backing board rather than behind a window mount, so the full sheet — including any deckle edges — stays visible.
Read more →Mount
Also: Mat · Mat board · Window mount
A border of stiff acid-free card cut to surround a print and sit between it and the glass. Provides visual separation, protects the print from contact with glass, and increases the framed size.
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Long-term care, common hazards, and the things to avoid.
