By printmaking medium
Each technique gives a different surface — the bite of an etched plate, the velvet flatness of a screenprint, the warmth of a linocut pulled by hand. Pick a process to see the works on the press right now.
Screenprints
Limited edition screenprints from our roster of independent artists. Hand-pulled or studio-printed runs on archival paper, hand-framed in Surrey and shipped worldwide.
See works →Linocut prints
Original linocut prints — relief works pulled by hand from carved lino blocks. Each impression is numbered and signed; editions are deliberately small.
See works →Etchings
Etchings and intaglio prints by contemporary printmakers. Plate-marked, signed and editioned to museum standards on heavyweight cotton-rag paper.
See works →Monotypes
One-of-a-kind monotypes — each pulled from an inked plate just once, so no two impressions are identical. The most painterly thing on the press.
See works →Giclée prints
Archival giclée pigment prints on 308gsm Hahnemühle cotton-rag. Open and limited editions, signed by the artist, fade-rated for 100+ years under glass.
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